《真人实拍摄与CG跟踪结合》(EAT3D LIVE ACTION AND CG FOUNDATIONS)[RAR]
![《真人实拍摄与CG跟踪结合》(EAT3D LIVE ACTION AND CG FOUNDATIONS)[RAR]](/Uploads/34/347/347963.jpg)
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| [真人实拍摄与CG跟踪结合].EAT3D.LIVE.ACTION.AND.CG.FOUNDATIONS-ABORTIONSAREFORBABIES.rar | 438.68 MB |
| 438.68 MB | |
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| [真人实拍摄与CG跟踪结合].EAT3D.LIVE.ACTION.AND.CG.FOUNDATIONS-ABORTIONSAREFORBABIES.rar | 438.68MB |
| 438.68MB | |
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资源分类: | 资料 >> 电脑教程 |
中文名称: | 真人实拍摄与CG跟踪结合 |
英文名称: | EAT3D LIVE ACTION AND CG FOUNDATIONS |
资源格式: | RAR |
发行时间: | 2010 |
地 区: | 美国 |
语 言: | 英文 |
资源简介: | |
 请大家发扬民族精神，将从国外BT网站的精典资源放上来与他人共享吧，别再被外人说我们像一团散沙，而且是Lose control类型。。。。 服务器：eDonkey Server NO2 / eMule Security / IA 1.8 ED2K Server NO.1(中国服务器) 供源时间：早上8：00—晚上21:45分 4MB带宽，请大家耐心下载 注：下载完的朋友请供源两周给其他朋友，谢谢。。要有凝聚力。 EAT 3D LIVE ACTION AND CG FOUNDATIONS这张DVD教程主讲：真人实拍摄与CG跟踪结合,Boujou,maya-Live Action & CG！ 官方网址： http://eat3d.com/livecg1 在这个教程中，老师一开始便解释，然后跟踪拍摄使用Boujou。一旦画面，实时跟踪，用maya制作场景，元素。一切环境，然后渲染，基于直实的灯光照明，在maya里制作三维模型元素，然后用跟踪Live Action & CG 完美无缝结合成视频跟踪。 使用到的软件为： Autodesk Maya 8.5, Photoshop, Boujou, Combustion In this demonstration the instructor starts off by explaining the shot and then tracking the footage using Boujou. Once the live footage is tracked, its on to Maya to start blocking out the scene and incorporating CG elements. Everything from Ambient Occlusion, to Render Layers, to even Image Based Lighting is explained while in Maya. After all of the elements are rendered out of Maya, the last thing done is composing them together using Combustion and After Effects. This tutorial is perfect for those who want a solid foundation on how to take your 3D models and incorporate them seamlessly into Live Action video. Basic Motion Tracking using Boujou and brining it into Maya 8.5 Understanding Ambient Occlusion and Maya''s Render Layers Demonstrating and Explaining HDRI Imaging Setting up the Shots in Maya and Rendering out the Different Passes In Depth Compositing with Combustion and After Effects Programs Used: Autodesk Maya 8.5, Photoshop, Boujou, Combustion Duration: 2 1/2 Hours Instructor: Matt Skonicki |