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《综合式音频效果插件》(IZotope Ozone VST DX RTAS HTDM v4.03)[压缩包]

《综合式音频效果插件》(IZotope Ozone VST DX RTAS HTDM v4.03)[压缩包]
类别:
软件 - 多媒体类
状态:
普通资源
摘要:
语言: 英文
发布:
2009-03-16 11:24:27
更新:
2009-03-16 11:24:27

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IZotope.Ozone.VST.DX.RTAS.HTDM.v4.03.Incl.Keygen-AiR.zip 15.91 MB
15.91 MB

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简介:
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官方网站 http://www.izotope.com/products/audio/ozone/
综合式音频效果插件,主要用于后期的母带处理,包括以下几大项激动人心的母带处理效果:10段均衡器、混响器、电平标准化、高质量的采样精度转换、多段激励器、多段动态处理、多段立体声扩展、总输入/输出电平调节。
发布说明:适用于Windows平台的VST、DX、AU、RTAS、HTDM等声音系统。引用It's not finished until Ozone is on it.
The process of mastering ranges from correcting mistakes made in the mix to preparing a recording for target listening environments. Like a final coat of polish, mastering makes the difference between a good sounding mix and a professional sounding master. When you're ready to master, Ozone is all you need.
Ozone 4 combines seven essential mastering processors into one complete system, letting you give your mixes a finished, full and professional sound. Ozone's critically acclaimed IRC™ Loudness Maximizer gives you commercial volume and fullness without distorting or coloring your mix. An eight band Paragraphic EQ combines linear phase precision with the warmth and character of analog equalizers and even lets you intelligently match your mix to reference tracks. Innovative Multiband Dynamics, Harmonic Exciter and Stereo Imaging tools add depth and polish to your music.
All of these modules are combined into a single, powerful interface, making the mastering process more efficient and intuitive than ever before. Whether you're a seasoned professional or simply ready to take your productions to the next level, Ozone is the complete solution you need. Your mix isn't finished until you put it through Ozone.
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       
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  PROUDLY PRESENTS  
 
 IZotope.Ozone.VST.DX.RTAS.HTDM.v4.03.Incl.Keygen 
 
 
 SUPPLIER .. TEAM AiR 
 PROTECTION SERIAL 
 SIZE ...... 04 * 4,77MB 
 DATE ...... 03/2009 
 
 It's not finished until Ozone is on it. 
 
 The process of mastering ranges from correcting 
 mistakes made in the mix to preparing a recording for 
 target listening environments. Like a final coat of 
 polish, mastering makes the difference between a good 
 sounding mix and a professional sounding master. When 
 you're ready to master, Ozone is all you need. 
 
 Ozone 4 combines seven essential mastering processors 
 into one complete system, letting you give your mixes 
 a finished, full and professional sound. Ozone's 
 critically acclaimed IRCײ Loudness Maximizer gives 
 you commercial volume and fullness without distorting 
 or coloring your mix. An eight band Paragraphic EQ 
 combines linear phase precision with the warmth and 
 character of analog equalizers and even lets you 
 intelligently match your mix to reference tracks. 
 Innovative Multiband Dynamics, Harmonic Exciter and 
 Stereo Imaging tools add depth and polish to your 
 music. 
 
 All of these modules are combined into a single, 
 powerful interface, making the mastering process more 
 efficient and intuitive than ever before. Whether 
 you're a seasoned professional or simply ready to 
 take your productions to the next level, Ozone is the 
 complete solution you need. Your mix isn't finished 
 until you put it through Ozone. 
 
 
 The Most Powerful Ozone Ever. 
 
 
 Ozone 4 incorporates an extensive list of new 
 features, optimizations, workflow improvements and 
 DSP algorithms. No matter how you're using Ozone, 
 you'll find features in Ozone 4 that will help you 
 sound better and work faster. 
 
 
 New in Ozone 4 
 
 
 Presets 
 
 
 New Preset Manager with improved workflow. Undock it 
 to a floating window so you can work with presets 
 while tweaking Ozone's modules 
 
 140 professionally designed presets help you get 
 results faster than ever before 
 
 MacroPresetsשeach preset now contains one or more 
 MacroFaders that allow you to quickly tweak a 
 preset's sound without leaving the preset manager 
 
 MacroPreset Editor lets you link multiple parameters 
 from Ozone's modules to your own custom MacroFaders 
 
 Preset Folders help you find the perfect starting 
 point faster, and you can organize your own presets 
 any way you like 
 
 
 
 Workflow 
 
 
 Beautifully redesigned graphical user interface with 
 controls and labels that are easier to work with on 
 high-resolution displays 
 
 Module Amount Controls allow you to intelligently 
 apply more or less of each module quickly and easily 
 
 Global Amount Control lets you dynamically apply more 
 or less of Ozone's processing with one single control 
 
 Significant optimizations throughout Ozone to reduce 
 CPU usage, especially when making changes to 
 parameters 
 
 Automatic Bypass Gain control enables Ozone to match 
 its own effective gain when bypassed letting you A/B 
 processed and unprocessed audio at the same perceived 
 loudness 
 
 Bypassed modules are grayed and display a blinking 
 red bypass indicator optional to make it easier 
 to see which modules are inactive 
 
 Bypass or Solo mid and side channels as you work to 
 hear the effect each module has on the soundstage 
 
 Fader Compareשshift click any fader to jump between 
 its current and last value for quick A/B comparisons 
 
 Keyboard shortcuts in Ozone can be partially or fully 
 disabledשuseful if Ozone shares shortcut keys with 
 your host application 
 
 
 
 Paragraphic EQ 
 
 
 Redesigned interface for better workflow 
 
 Mid/Side equalization with Bypass/Solo controls and 
 transparent, color coded EQ curve displays 
 
 Info Panel can now be docked at the bottom of the EQ 
 display and does not hide the EQ's controls and 
 spectrum analyzer 
 
 EQ nodes are now numbered for easier automation and 
 adjustment 
 
 Select and drag multiple EQ nodes to adjust their 
 gain, frequency and Q relative to each other 
 
 Significant CPU optimizationsשchanges to the EQ 
 require less CPU overhead 
 
 
 
 Mastering Reverb 
 
 Mid/Side support for both Plate and Room reverb 
 modesשadjust reverb separately on center and edges of 
 your audio 
 
 Improved metering 
 
 
 
 IRC Loudness Maximizer 
 
 New Intelligent II mode offers superior processing 
 quality on transient source materialשget loud, full 
 mixes without distortion and pumping 
 
 
 
 Harmonic Exciter 
 
 New Warm mode produces only even harmonics with a 
 fast decay rate, adding another unique color to 
 Ozone's Harmonic Exciter 
 
 Mid/Side processing is available for all algorithms 
 and bands 
 
 
 
 Multiband Dynamics 
 
 Auto gain compensationשautomatically sets the makeup 
 gain to compensate for changes in loudness due to 
 dynamics process 
 
 Mid/Side support for all bands and meters 
 
 Mix Control provides built-in parallel compression 
 
 Includes global controls for all bands as well as 
 separate controls for mid/side in each band 
 
 
 
 Stereo Imaging 
 
 Improved metering including redesigned vectorscope 
 and correlation meter 
 
 Meters can now fade out their history rather than 
 their old infinite hold behavior 
 
 
 
 Crossover 
 
 New Hybrid Crossover algorithmשcombines Analog and 
 Digital methods, offering analog character with 
 perfect reconstruction characteristics 
 
 Learn function will evaluate the incoming source 
 material and find natural crossover points 
 automatically 
 
 Significant CPU optimizationsשchanges to crossover 
 frequencies require less CPU overhead 
 
 The Mute control on each band has been converted to a 
 Solo control for improved workflow 
 
 Crossover cutoff values can be keyed in manually by 
 double-clicking the readouts and typing 
 
 
 
 Input/Output and Metering 
 
 Complete K-System metering support, as specified in 
 popular publications by Bob Katz 
 
 Completely redesigned Input/Output Meters offer 
 improved ballistics and joint RMS and Peak metering 
 modes 
 
 Meters can detect inter-sample peaks for metering of 
 true analog peak levels 
 
 Gain can be entered numerically by double-clicking 
 the gain readouts 
 
 Linear and non-linear dB scale options 
 
 Selectable metering sourceשchoose between stereo and 
 mid-side meters. 
 
 
 http //www.izotope.com 
 
 
 
 
 Installation Notes 
 -------------------- 
 
 1 Unzip, Unrar and run Setup.exe 
 
 2 Register offline in C/R mode and use keygen 
 
 3 Enjoy this fine Team AiR release !!! 
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 nFO lAYOUT c 2006 bEARCAVE-dESIGN 
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