《模拟Markbass扩增数字音频应用程序》(Overloud Mark Studio 1)v1.1 VST RTAS x64|x32[压缩包]

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[模拟Markbass扩增数字音频应用程序].Overloud.Mark.Studio.1.v1.1.VST.RTAS.x32-DYNAMiCS.zip	42.56 MB
[模拟Markbass扩增数字音频应用程序].Overloud.Mark.Studio.1.v1.1.VST.x64-DYNAMiCS.zip	37.62 MB
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简介:


Overloud Mark Studio 1插件被设计为忠实地模拟Markbass扩增数字音频应用程序或生活状况的声音。无论什么样的低音使用，Overloud Mark Studio 1插件会永远给你一个选择的低音音乐阵列。这是一个不可缺少在电脑上记录声音的工具，并希望改善期间或之后录制的低音声。




The Mark Studio 1 plugin has been designed to faithfully simulate the sound of Markbass amplification in any DAW application or live situation.
No matter what kind of bass you use, the Mark Studio 1 plugin will always give you a very musical array of bass sound choices. It's an indispensable tool to anyone who records on a computer and wants to improve the sound of the bass either during or after recording.
Key Features
* Three top-class Markbass amp models: TA501, R500 and Classic 300
* Six Markbass cabinets: STD 151HR (rear-ported 1x15 ),STD 152HR (rear-ported 2x15 ), STD 104HR (rear-ported 1x15 ),STD 104HF (front-ported 4x10 ), STD 106HF (front-ported 6x10 ), and Classic 108(sealed 8x10 )
* Choice of 6 microphones, plus a preset combination of 2 front microphones
* Faithful reproduction of every characteristic and nuance of Markbass amps and cabinets
* Ultra-flexible signal path makes it easy to balance the Direct (plugin) input, Line Out (amp direct Out) and Mic Output levels
Sound
* More than one microphone can be used simultaneously: main (woofer), tweeter and, where applicable, rear bass reflex (port).
* Each mic/cabinet combination has been recorded in a high-end studio by the best Italian sound engineers
* Ultra Bass frequency control for extra-deep sound with one mouse click
* 64 factory presets designed by top engineers and Markbass artists and 64 storable user presets
引用Release Info:
Overloud.Mark.Studio.1.v1.1.AU.VST.RTAS.MAC.OSX.UB-DYNAMiCS
Overloud.Mark.Studio.1.v1.1.VST.x64-DYNAMiCS
Overloud.Mark.Studio.1.v1.1.VST.RTAS.x32-DYNAMiCS
SUPPLiER..: Team DYNAMiCS
CRACKER...: Team DYNAMiCS
DATE....: 0324 2011
PACKAGER..: Team DYNAMiCS


Homepage: http://www.overloud.com/markstudio1.php
代码 ² 
²±° ²±°°°±² °±²
²±° ² ²   ²±±±² ° °±
²±°°°±°  ²± ° ²° ²²± ±±  ²° °²±°°
° ²° ²± ° ±²±° ±°° ²±°°° °±²²² ±° ²±°°²±°
² ° ±° ²° ° ² ²° ²±°°° ²±°° ° °±²±² ± ²±°°²± 
² ²°° ²±° ±° ²±° ²°±±°°° °± °±±²²° °±° ²°±²
²± °°±²° °° ²° ²±°±°²±°²±°² °°±²± ° ²° °±²
±° °°°±²°° ° ±° ²°²±±°   °°°²²° ² °±
° °°°±±²²²° ° ²±°± °  ²  ° °±°  ²±° °
±°°±² °°°°°°°°° ²° ²° ²° ²²±±²   °±° °±°  °
²±±² °°° ²±°²±° ±° ²±°±² °  °° ² °±
²±±² °° ²±°°°°±±±±°°²±° ²±° ²±°°± °°±²°° °±²
²²±±±°°²±°²±°°²±±° ° ²±±° ²² °±²°°°°°±±²
²²±±±°²±  ²±±°°°°±²²±° ²±±±² ±²°°°±±²²
²² ²²²±±²²° ²²²²² °±²
²²  ² 
²²²²
Overloud.Mark.Studio.1.v1.1.VST.RTAS.x32-DYNAMiCS
SUPPLiER.. Team DYNAMiCS DiSKS... 10 * 5MB
CRACKER... Team DYNAMiCS DATE.... 0324 2011
PACKAGER.. Team DYNAMiCS RELEASE# DYNAMiCS-730
PROTECTION Custom FORMAT.. EXE/VST
http //www.overloud.com/markstudio1.php
²² ²²
²±±²² ²²±±²
°²±±²  ° °  ²±±²°
 °°±±±°°±² ±²² °± ±° ²²± ²±°°±±±°° 
°°±²²±°±² °±²² ²²² ²²² ²²±° ²±°±²²±°°
°°±² ²±°°° ²±²²   °²±±²   ²²±² °°°±² ²±°°
±² °±²  ²² ±±° ±°°± °±± ²²  ²±° ²±
  °°± ²²²²° °° °²²²² ±°°  
° ± °± ° ²² ²° °² ²²   ±° ± °
  ² °±    °° °°    ±° ²  
°°  °°°° ° °² ²° ° °°°°  °°
±°  °° ² ² °°  °±
²² ²°± ±°² ²²
² ² - RELEASE NOTES - ² ²
   
Key Features
* Three top-class Markbass amp models TA501, R500 and Classic 300
* Six Markbass cabinets STD 151HR rear-ported 1x15 ,STD 152HR
rear-ported 2x15 , STD 104HR rear-ported 1x15 ,STD 104HF front-
ported 4x10 , STD 106HF front-ported 6x10 , and Classic 108
sealed 8x10
* Choice of 6 microphones, plus a preset combination of 2 front
microphones
* Faithful reproduction of every characteristic and nuance of
Markbass amps and cabinets
* Ultra-flexible signal path makes it easy to balance the Direct
plugin input, Line Out amp direct Out and Mic Output levels
Sound
* More than one microphone can be used simultaneously main woofer ,
tweeter and, where applicable, rear bass reflex port .
* Each mic/cabinet combination has been recorded in a high-end studio
by the best Italian sound engineers
* Ultra Bass frequency control for extra-deep sound with one mouse
click
* 64 factory presets designed by top engineers and Markbass artists
and 64 storable user presets
²² ²²
²±±²² ²²±±²
°²±±²  ° °  ²±±²°
 °°±±±°°±² ±²² °± ±° ²²± ²±°°±±±°° 
°°±²²±°±² °±²² ²²² ²²² ²²±° ²±°±²²±°°
°°±² ²±°°° ²±²²   °²±±²   ²²±² °°°±² ²±°°
±² °±²  ²² ±±° ±°°± °±± ²²  ²±° ²±
  °°± ²²²²° °° °²²²² ±°°  
° ± °± ° ²² ²° °² ²²   ±° ± °
  ² °±    °° °°    ±° ²  
°°  °°°° ° °² ²° ° °°°°  °°
±°  °° ² ² °°  °±
²² ²°± ±°² ²²
² ² - iNSTALL NOTES - ² ²
   
1. Unpack
2. Install
3. Use cracks
²² ²²
²±±²² ²²±±²
°²±±²  ° °  ²±±²°
 °°±±±°°±² ±²² °± ±° ²²± ²±°°±±±°° 
°°±²²±°±² °±²² ²²² ²²² ²²±° ²±°±²²±°°
°°±² ²±°°° ²±²²   °²±±²   ²²±² °°°±² ²±°°
±² °±²  ²² ±±° ±°°± °±± ²²  ²±° ²±
  °°± ²²²²° °° °²²²² ±°°  
° ± °± ° ²² ²° °² ²²   ±° ± °
  ² °±    °° °°    ±° ²  
°°  °°°° ° °² ²° ° °°°°  °°
±°  °° ² ² °°  °±
²² ²°± ±°² ²²
² ² - GREETS - ² ²
   
We hate you all.
²² ²²
²±±²² ²²±±²
°²±±²  ° °  ²±±²°
 °°±±±°°±² ±²² °± ±° ²²± ²±°°±±±°° 
°°±²²±°±² °±²² ²²² ²²² ²²±° ²±°±²²±°°
°°±² ²±°°° ²±²²   °²±±²   ²²±² °°°±² ²±°°
±² °±²  ²² ±±° ±°°± °±± ²²  ²±° ²±
  °°± ²²²²° °° °²²²² ±°°  
° ± °± ° ²² ²° °² ²²   ±° ± °
  ² °±    °° °°    ±° ²  
°°  °°°° ° °² ²° ° °°°°  °°
±°  °° ² ² °°  °±
²² ‏    ²°± ±°² ²²
² °  ° ² ² ²
       
CoH CPH 
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