Eraldo Bernocchi & Harold Budd -《心灵里的的碎片》(Music for 'Fragments from Inside')[FLAC]
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电驴资源简介
专辑中文名: 心灵里的的碎片专辑英文名: Music for Fragments from Inside 艺术家: Eraldo Bernocchi
Harold Budd版本: [FLAC]发行时间: 2005年地区: 美国简介:
发行版本:Sub Rosa
专辑风格:Electronic, Ambient, Minimalism
专辑介绍:
这张专辑是Eraldo Bernocchi与Harold Budd的合作作品.专辑表现的并不炫耀,低沉的钢琴加上电子的背景演奏,力图营造出碎片的感觉.是本人比较喜欢的一张了.
1936年，氛围音乐作曲家Harold Budd出生在California。于26岁起开始他的作曲生涯，很快的，在随后的几年中声名鹊起。1966年从University of Southern California的作曲专业毕业之后作品便逐年减少。1976年他辞去了工作，和英国先锋人物Brian Eno一起专心录制新作品。两年后Harold Budd发行了 The Pavilion of Dreams ，从此建立了自己强大且独特的个人风格。之后更拉拢了Brian Eno，两人交集不断，合作出 The Plateaux of Mirror 和 The Pearl 以原声钢琴小品为主线的两张专辑。
拿Brian Eno相较，Harold Budd则更注重器乐所营造出的氛围气息，简约而前卫。背景下合成的婉转碎音由钢琴带出，宛如袅袅升起随即消散的青烟。 The Pavilion of Dreams 融合了popular jazz和avant-garde。与早期作品一样，亦会存有非洲、巴西等地民俗的听感体验。不同于现在许多的氛围音乐家让音乐随自己的情绪恣意延伸，渐而丧失核心的做法。Harold Budd更像是画外音，以诗人的口吻带人一步步潜入情境之中，让结构完整得如同不自知而落入的圈套。 The Pavilion of Dreams 仅有四曲，均由波澜不惊的和声堆砌，再以竖琴的弹拨来配合反复，制造出空、净、思、远的绝妙意境。
Recorded live on what can only be assumed was a warm and expansive Italian night, Fragments From The Inside sees the coming together of Pianist / ambient master Harold Budd and long-time Bill Laswell collaborator Eraldo Bernochhi, with Music For Fragments From The Inside . Composed and played on the hoof, Music For Fragments... unfurls with loquacious grace; a fact that is cemented on the opening One . So whilst in the foreground a beautiful Benno Moiseiwistshca-esque piano part is allowed time to languidly gather momentum, on the fringes Bernocchi punctures the ambient membrane with buckshot s of garbled digitalis that create a thrilling juxtaposition which comes off a treat. Elsewhere, Four assumes a similar perspective (albeit with the machines winning round two) to the opening composition, Six betters Jenkinson s Iambic 9 Poetry , whilst Two is a claustrophobic coalition of fidgeting beats and classical flourishes. Closing with the slow burn marathon of (you guessed it) Seven , Bernocchi and Budd have created a soothing aural balm that whilst undoubtedly honeyed, has enough piquant bite to keep your head engaged.
本专辑资料转载自HQ,感谢原发.
Harold Budd版本: [FLAC]发行时间: 2005年地区: 美国简介:
发行版本:Sub Rosa
专辑风格:Electronic, Ambient, Minimalism
专辑介绍:
这张专辑是Eraldo Bernocchi与Harold Budd的合作作品.专辑表现的并不炫耀,低沉的钢琴加上电子的背景演奏,力图营造出碎片的感觉.是本人比较喜欢的一张了.
1936年，氛围音乐作曲家Harold Budd出生在California。于26岁起开始他的作曲生涯，很快的，在随后的几年中声名鹊起。1966年从University of Southern California的作曲专业毕业之后作品便逐年减少。1976年他辞去了工作，和英国先锋人物Brian Eno一起专心录制新作品。两年后Harold Budd发行了 The Pavilion of Dreams ，从此建立了自己强大且独特的个人风格。之后更拉拢了Brian Eno，两人交集不断，合作出 The Plateaux of Mirror 和 The Pearl 以原声钢琴小品为主线的两张专辑。
拿Brian Eno相较，Harold Budd则更注重器乐所营造出的氛围气息，简约而前卫。背景下合成的婉转碎音由钢琴带出，宛如袅袅升起随即消散的青烟。 The Pavilion of Dreams 融合了popular jazz和avant-garde。与早期作品一样，亦会存有非洲、巴西等地民俗的听感体验。不同于现在许多的氛围音乐家让音乐随自己的情绪恣意延伸，渐而丧失核心的做法。Harold Budd更像是画外音，以诗人的口吻带人一步步潜入情境之中，让结构完整得如同不自知而落入的圈套。 The Pavilion of Dreams 仅有四曲，均由波澜不惊的和声堆砌，再以竖琴的弹拨来配合反复，制造出空、净、思、远的绝妙意境。
Recorded live on what can only be assumed was a warm and expansive Italian night, Fragments From The Inside sees the coming together of Pianist / ambient master Harold Budd and long-time Bill Laswell collaborator Eraldo Bernochhi, with Music For Fragments From The Inside . Composed and played on the hoof, Music For Fragments... unfurls with loquacious grace; a fact that is cemented on the opening One . So whilst in the foreground a beautiful Benno Moiseiwistshca-esque piano part is allowed time to languidly gather momentum, on the fringes Bernocchi punctures the ambient membrane with buckshot s of garbled digitalis that create a thrilling juxtaposition which comes off a treat. Elsewhere, Four assumes a similar perspective (albeit with the machines winning round two) to the opening composition, Six betters Jenkinson s Iambic 9 Poetry , whilst Two is a claustrophobic coalition of fidgeting beats and classical flourishes. Closing with the slow burn marathon of (you guessed it) Seven , Bernocchi and Budd have created a soothing aural balm that whilst undoubtedly honeyed, has enough piquant bite to keep your head engaged.
本专辑资料转载自HQ,感谢原发.