巴赫 -《哥德堡变奏曲》(Goldberg Variations By Mika Väyrynen)[FLAC]
![巴赫 -《哥德堡变奏曲》(Goldberg Variations By Mika Väyrynen)[FLAC]](/Uploads/34/344/344943.jpg)
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简介:
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专辑介绍：
又一张手风琴演奏的哥德堡变奏曲。
这一张在节奏感和音色上我认为都不如Stefan Hussong的演奏。当然从技巧方面来讲的话就说不清楚了，且看评价：
Boy, is this fun! Mika Väyrynen not only plays Bach's Goldberg Variations on the accordion to brilliant virtuosic effect, but he also manages to give each variation a unique identity. If Tania Lukic-Marx's more reverential way with the score makes her the accordion's Helmut Walcha, Mika Väyrynen, in turn, evokes the spirit of Virgil Fox on best behavior. Hear how he imbues Variation 7 with gentle swagger and sharp, unexpected accents that prove equally piquant when taken up the octave on the repeats. Redistributed to accommodate a single keyboard and rows of buttons, the two-keyboard variations blast off from their respective starting gates and hardly let up.
Variation 29's toccata-like textures particularly lend themselves to the accordion's breathy bellows, while the canons at the unison and the fifth plus the black pearl 25th variation feature Väyrynen's sexy, honey-coated legato phrasing. Sometimes Bach's contrapuntal lines blur within the resonant, roomy acoustic, but the sound is so vibrant and alive that you simply go with the flow. And unlike the three other accordion Goldbergs I've managed to hear (Stefan Husson/Thorofon, Tania Lukic-Marx/Aura, and Wolfgang Dimetrik/Amphion), Väyrynen takes all repeats, save for the Aria Da Capo. Definitely one of 2004's most entertaining and lovable releases. [8/31/2004]
--Jed Distler, ClassicsToday.com
Mika Väyrynen
Mika Väyrynen is one of the foremost accordion and bandoneon artists of today, performing as a soloist, with Chamber Ensembles and Symphony Orchestras throughout the world.
In addition to his teaching at the famed Sibelius Academy in Helsinki, he also travels extensively presenting Master Classes, Seminars and Workshops at major Conservatories, Music Schools and Festivals in many countries.
Performing on both accordion and bandoneon, his repertoire is exceptionally broad, including contemporary accordion music, transcriptions from various periods, new Tango, Concertos and Chamber Music.
/thumb.jpg)
专辑介绍：
又一张手风琴演奏的哥德堡变奏曲。
这一张在节奏感和音色上我认为都不如Stefan Hussong的演奏。当然从技巧方面来讲的话就说不清楚了，且看评价：
Boy, is this fun! Mika Väyrynen not only plays Bach's Goldberg Variations on the accordion to brilliant virtuosic effect, but he also manages to give each variation a unique identity. If Tania Lukic-Marx's more reverential way with the score makes her the accordion's Helmut Walcha, Mika Väyrynen, in turn, evokes the spirit of Virgil Fox on best behavior. Hear how he imbues Variation 7 with gentle swagger and sharp, unexpected accents that prove equally piquant when taken up the octave on the repeats. Redistributed to accommodate a single keyboard and rows of buttons, the two-keyboard variations blast off from their respective starting gates and hardly let up.
Variation 29's toccata-like textures particularly lend themselves to the accordion's breathy bellows, while the canons at the unison and the fifth plus the black pearl 25th variation feature Väyrynen's sexy, honey-coated legato phrasing. Sometimes Bach's contrapuntal lines blur within the resonant, roomy acoustic, but the sound is so vibrant and alive that you simply go with the flow. And unlike the three other accordion Goldbergs I've managed to hear (Stefan Husson/Thorofon, Tania Lukic-Marx/Aura, and Wolfgang Dimetrik/Amphion), Väyrynen takes all repeats, save for the Aria Da Capo. Definitely one of 2004's most entertaining and lovable releases. [8/31/2004]
--Jed Distler, ClassicsToday.com
Mika Väyrynen
Mika Väyrynen is one of the foremost accordion and bandoneon artists of today, performing as a soloist, with Chamber Ensembles and Symphony Orchestras throughout the world.
In addition to his teaching at the famed Sibelius Academy in Helsinki, he also travels extensively presenting Master Classes, Seminars and Workshops at major Conservatories, Music Schools and Festivals in many countries.
Performing on both accordion and bandoneon, his repertoire is exceptionally broad, including contemporary accordion music, transcriptions from various periods, new Tango, Concertos and Chamber Music.