Jura Margulis -《霍洛维茨施坦威现场》(Live on the Horowitz Steinway)[FLAC]
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发行厂牌：ARS MUSICI
演奏：Jura Margulis
专辑介绍：
Jura Margulis是一名俄罗斯钢琴家，出生于1968年6月14日。他出生于音乐世家，从小受到音乐的熏陶，并深深爱上了音乐，后来，他还去德国进修音乐，非常有毅力。同时，他还才华横溢，不仅获得了多个奖项，而且还发行了多张专辑，非常好听。
引用Wiki：
Jura Margulis (born June 14, 1968, in Leningrad, now St. Petersburg) is a Russian born, German raised, US based internationally acclaimed concert pianist, recording artist, and pedagogue.Born in Leningrad, now St. Petersburg, Russia, Jura Margulis was raised in Germany, where he studied with his father, Dr. Vitaly Margulis, at the Hochschule für Musik Freiburg. He finished the MM in 1994. He was also a student at the prestigious Fondazione per il Pianoforte in Cadenabbia at Lake Como in Italy, where he studied - amongst others - with Dimitri Bashkirov, Fou Ts'ong, Murray Perahia, Alexis Weissenberg, Leon Fleisher, and Karl-Ulrich Schnabel (1995/1996). He moved to the United States to study with Leon Fleisher at the Peabody Conservatory in Baltimore, where he finished the Post Graduate Performance Diploma in 1998.Jura Margulis' orchestral appearances include performances with the Russian National Orchestra at the Hollywood Bowl, the Montreal Symphony Orchestra under Charles Dutoit, the Südwestrundfunk Orchestra, the National Orchestra of Venezuela, the Thailand Philharmonic Orchestra, and the Prague Symphony Orchestra. He has played in numerous festivals, including the Schleswig Holstein Musik Festival, the Berliner Festwochen at Berlin Philharmonic Hall, the Internationale Sommerakademie Mozarteum in Austria, the Verbier Festival in Switzerland, and the Argerich-Beppu Music Festival in Japan. He has won prizes in more than a dozen international competitions, including Busoni in Italy and Guardian in Ireland. He is also a recipient of the esteemed Pro Europa prize awarded by the European Foundation for Culture. The past seasons have brought him to New York, Chicago, St. Louis, Dallas, Cincinnati, Salt Lake City, Little Rock, Tulsa, Memphis, and New Orleans in the US, as well as abroad to Frankfurt, Düsseldorf, Hamburg, Berlin, Tübingen, Freiburg, Bologna, Salzburg, Barcelona, Ljubljana and Bangkok. Active as a chamber musician, Margulis has performed recitals with, among others, Dmitry Sitkovetsky, the soloists of the Moscow Virtuosi, members of the Chicago Symphony Orchestra, and the St. Petersburg and Moscow String Quartets. He is a founding member of the Fulbright Trio. He has also concertised with Martha Argerich on two pianos in Germany, Japan, and the USA.Pianist Jura Margulis has been recognized for his compellingly communicative performances, as well as for the range of his tonal palette and his consummate virtuosity. Reviewers have praised the “absolute authority” of his interpretations and the sense of “controlled obsession” he transmits at the keyboard (Fono Forum). The Frankfurter Allgemeine Zeitung noted that his aesthetic is both “impulsive and contemplative.” The Los Angeles Times praised his “excellent pianism” and called him “highly musical”. The Washington Post applauded his “titanic reserves of sheer power” and his “effortless spontaneity.” The Fort Worth Star-Telegram called his performance “ … the perfect Beethoven for the audience of our time … sweeping lyricism … imagination, originality, and good taste pervaded every phrase.”
发行厂牌：ARS MUSICI
演奏：Jura Margulis
专辑介绍：
Jura Margulis是一名俄罗斯钢琴家，出生于1968年6月14日。他出生于音乐世家，从小受到音乐的熏陶，并深深爱上了音乐，后来，他还去德国进修音乐，非常有毅力。同时，他还才华横溢，不仅获得了多个奖项，而且还发行了多张专辑，非常好听。
引用Wiki：
Jura Margulis (born June 14, 1968, in Leningrad, now St. Petersburg) is a Russian born, German raised, US based internationally acclaimed concert pianist, recording artist, and pedagogue.Born in Leningrad, now St. Petersburg, Russia, Jura Margulis was raised in Germany, where he studied with his father, Dr. Vitaly Margulis, at the Hochschule für Musik Freiburg. He finished the MM in 1994. He was also a student at the prestigious Fondazione per il Pianoforte in Cadenabbia at Lake Como in Italy, where he studied - amongst others - with Dimitri Bashkirov, Fou Ts'ong, Murray Perahia, Alexis Weissenberg, Leon Fleisher, and Karl-Ulrich Schnabel (1995/1996). He moved to the United States to study with Leon Fleisher at the Peabody Conservatory in Baltimore, where he finished the Post Graduate Performance Diploma in 1998.Jura Margulis' orchestral appearances include performances with the Russian National Orchestra at the Hollywood Bowl, the Montreal Symphony Orchestra under Charles Dutoit, the Südwestrundfunk Orchestra, the National Orchestra of Venezuela, the Thailand Philharmonic Orchestra, and the Prague Symphony Orchestra. He has played in numerous festivals, including the Schleswig Holstein Musik Festival, the Berliner Festwochen at Berlin Philharmonic Hall, the Internationale Sommerakademie Mozarteum in Austria, the Verbier Festival in Switzerland, and the Argerich-Beppu Music Festival in Japan. He has won prizes in more than a dozen international competitions, including Busoni in Italy and Guardian in Ireland. He is also a recipient of the esteemed Pro Europa prize awarded by the European Foundation for Culture. The past seasons have brought him to New York, Chicago, St. Louis, Dallas, Cincinnati, Salt Lake City, Little Rock, Tulsa, Memphis, and New Orleans in the US, as well as abroad to Frankfurt, Düsseldorf, Hamburg, Berlin, Tübingen, Freiburg, Bologna, Salzburg, Barcelona, Ljubljana and Bangkok. Active as a chamber musician, Margulis has performed recitals with, among others, Dmitry Sitkovetsky, the soloists of the Moscow Virtuosi, members of the Chicago Symphony Orchestra, and the St. Petersburg and Moscow String Quartets. He is a founding member of the Fulbright Trio. He has also concertised with Martha Argerich on two pianos in Germany, Japan, and the USA.Pianist Jura Margulis has been recognized for his compellingly communicative performances, as well as for the range of his tonal palette and his consummate virtuosity. Reviewers have praised the “absolute authority” of his interpretations and the sense of “controlled obsession” he transmits at the keyboard (Fono Forum). The Frankfurter Allgemeine Zeitung noted that his aesthetic is both “impulsive and contemplative.” The Los Angeles Times praised his “excellent pianism” and called him “highly musical”. The Washington Post applauded his “titanic reserves of sheer power” and his “effortless spontaneity.” The Fort Worth Star-Telegram called his performance “ … the perfect Beethoven for the audience of our time … sweeping lyricism … imagination, originality, and good taste pervaded every phrase.”