《尖刻的角色》(the gnomon workshop-A Pungent Character)第一版[光盘镜像]
![《尖刻的角色》(the gnomon workshop-A Pungent Character)第一版[光盘镜像]](/Uploads/32/321/321749.jpg)
电驴资源
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| [尖刻的角色].The.Gnomon.Workshop-A.Pungent.Character.iso | 3.07 GB |
| 3.07 GB | |
电驴资源简介
简介:
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In this lecture, David Meng shares his thoughts on how he creates personality and expression in a character bust. He will discuss his thought process behind doing an unconventional take on a traditional creature. The practical aspects of working with plastalina and building armatures will also be discussed. Viewers will get to look, from start to finish, at how David creates a physical clay design maquette for the film industry.
在这个课程，戴维.明分享他建立专业半身像的经验。他将讲述不常规的传统生物之后的整个流程。
David Meng
Creature Designer and Sculptor, Weta
角色设计师和雕刻师,Weta工作室
David Meng graduated from the University of Michigan, Ann Arbor in 2000, with a Bachelors Degree in Fine Art, and took Dick Smith's Advanced Professional Make-up Course shortly after. Interested in bizarre, funny and grotesque things from a young age, David had a natural leaning towards working as a creature/character designer in the film industry. After working as a sculptor/designer in L.A., David joined Weta Workshop in 2004 just in time to work onKing KongandThe Chronicles of Narnia. He has since contributed extensively to many of Weta's other projects, most notablyDistrict 9, for which he served as Lead Creature Designer, working on the design of the Prawns. Recently, David's work has been published in The Art ofDistrict 9,White Cloud Worlds(an anthology of New Zealand Fantasy art), and this year'sSpectrumas well as being exhibited in both Shanghai and New Zealand.
该作者获得美术学士学位，其涉及电影有 第9区 .等等,今年在上海和新西兰有作品展.
/thumb.jpg)
/thumb.jpg)
In this lecture, David Meng shares his thoughts on how he creates personality and expression in a character bust. He will discuss his thought process behind doing an unconventional take on a traditional creature. The practical aspects of working with plastalina and building armatures will also be discussed. Viewers will get to look, from start to finish, at how David creates a physical clay design maquette for the film industry.
在这个课程，戴维.明分享他建立专业半身像的经验。他将讲述不常规的传统生物之后的整个流程。
David Meng
Creature Designer and Sculptor, Weta
角色设计师和雕刻师,Weta工作室
David Meng graduated from the University of Michigan, Ann Arbor in 2000, with a Bachelors Degree in Fine Art, and took Dick Smith's Advanced Professional Make-up Course shortly after. Interested in bizarre, funny and grotesque things from a young age, David had a natural leaning towards working as a creature/character designer in the film industry. After working as a sculptor/designer in L.A., David joined Weta Workshop in 2004 just in time to work onKing KongandThe Chronicles of Narnia. He has since contributed extensively to many of Weta's other projects, most notablyDistrict 9, for which he served as Lead Creature Designer, working on the design of the Prawns. Recently, David's work has been published in The Art ofDistrict 9,White Cloud Worlds(an anthology of New Zealand Fantasy art), and this year'sSpectrumas well as being exhibited in both Shanghai and New Zealand.
该作者获得美术学士学位，其涉及电影有 第9区 .等等,今年在上海和新西兰有作品展.