简介:
专辑中文名: 失落的平安夜
语言: 英语
地区: 美国
简介: -->
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[img]<br />专辑介绍：<br />圣诞三部曲中的最后一张。很赞！<br />跨西伯利亚交响乐团（TSO）是美国前卫金属乐队，成立于1993年由制作人，作曲家，作词人保罗·奥尼尔，汇聚乔恩·奥利瓦和Pitrelli（Savatage的成员）和键盘和合作制片人罗伯特·金克尔组成的创作团队的核心。从那时起，曹售出超过900万的演唱会门票超过800万张唱片。该乐队的音乐风格融合了古典，管弦乐，交响，逐步将硬摇滚和重金属元素。该乐队已经发布了一系列的摇滚歌剧：圣诞前夕和其他故事，圣诞阁楼，贝多芬的最后一夜，失落的平安夜（圣诞三部曲的最后一批），两盘夜城堡。其广泛的慈善工作和精心制作的音乐会，其中包括一个乐队，灯光秀，激光，烟火，移动桁架，电视屏幕，和音乐同步的效果。<br />这次收录了另外一首圣诞卡农摇滚版。<br />[img]
专辑介绍：
圣诞三部曲中的最后一张。很赞！
跨西伯利亚交响乐团（TSO）是美国前卫金属乐队，成立于1993年由制作人，作曲家，作词人保罗·奥尼尔，汇聚乔恩·奥利瓦和Pitrelli（Savatage的成员）和键盘和合作制片人罗伯特·金克尔组成的创作团队的核心。从那时起，曹售出超过900万的演唱会门票超过800万张唱片。该乐队的音乐风格融合了古典，管弦乐，交响，逐步将硬摇滚和重金属元素。该乐队已经发布了一系列的摇滚歌剧：圣诞前夕和其他故事，圣诞阁楼，贝多芬的最后一夜，失落的平安夜（圣诞三部曲的最后一批），两盘夜城堡。其广泛的慈善工作和精心制作的音乐会，其中包括一个乐队，灯光秀，激光，烟火，移动桁架，电视屏幕，和音乐同步的效果。
这次收录了另外一首圣诞卡农摇滚版。
[img]
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发行时间: 2004年10月12日
专辑曲目: -->
-->01. Faith Noel
02. The Lost Christmas Eve
03. Christmas Dreams
04. Wizards In Winter
05. Remember
06. Anno Domine
07. Christmas Concerto
08. Queen Of The Winter Night
09. Christmas Nights In Blue
10. Christmas Jazz
11. Christmas Jam
12. Siberian Sleigh Ride
13. What Is Christmas?
14. For The Sake Of Our Brother
15. The Wisdom Of Snow
16. Wish Liszt (Toy Shop Madness)
17. Back To A Reason (Part II)
18. Christmas Bells, Carousels & Time
19. What Child Is This?
20. O’ Come All Ye Faithful
21. Christmas Canon Rock
22. Different Wings
23. Midnight Clear -->
-->
版本: [MP3] 256 VBR
专辑英文名: The Lost Christmas Eve
代码
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Artist: Trans Siberian Orchestra
Album: The Lost Christmas Eve
Label: Lava
Genre: Classical
Rip date: Oct-07-2004
Street date: Oct-12-2004
Size: 113,10 MB
Type: Album
Quality: VBR kbps / 44.1kHz / Joint-Stereo
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Trans-Siberian Orchestra was formed in 1996 by Paul O'Neill who
immediately approached long time friends and collaborators
Robert Kinkel and Jon Oliva to form the core of the writing
team.
While producing and writing for a number of years with various
rock groups Paul was always looking for ways to make the music
have greater and greater emotional impact. He tried to write the
music that was so melodic it didn't need lyrics. And lyrics that
were so poetic that they didn't need music but once you put the
two of them together, the sum of the parts would be greater than
the whole, and you couldn't imagine them apart. Once he'd done
this, he was still looking for a way to take it to even greater
heights and he realized that putting the songs within the
context of a story would give it a third dimension that wou ld
make that additional emotional impact possible.
Hence, he started writing not just albums, but rock operas.
He realized then, that there was an inherent problem recording
rock operas within the standard rock and roll band makeup. Rock
operas by their nature need the voices to change as the
characters change. Rock bands normally only have one (or if
you're lucky) two great vocalists to work with, therefore
limiting how far you can go. You're forced to make the music fit
the band, as opposed to allowing the music to go wherever it
needs to.
With Trans-Siberian Orchestra, first the music is created with
no artificial limitations, and then we seek out within the
classical, rock, Broadway and R & B worlds, the very best
singers and musicians to bring each song to life. This also in
many ways forces us to operate on a higher level. This
environment has the additional benefit of causing a cross
pollenization of musical ideas, creating hybrid forms of music
that normally never would have occurred, such as an R&B; singer
doing a classical style melody and bringing gospel touches to it
that causes it to glitter in ways that even the creators could
not have predicted. Another very important aspect in the
creation of the band, is that there could be no limits on the
members; we mix all races and ages.
The young get to mine the experience of the old musicians, while
they can't help to be inspired by the enthusiasm of people just
entering the business. This has created a vast constantly
changing musical group that even we do not know what it is going
to do next.
Once when asked what Trans-Siberian Orchestra was about, Paul
O'Neill replied, "It's about creating great art. When asked to
define what great art was, Paul said, "The purpose of art is to
create an emotional response in the person that is exposed to
that art. And there are three categories of art; bad art, good
art and great art. Bad art will elicit no emotional response in
the person that is exposed to it, i.e.; a song you hear in an
elevator and it does nothing to you, a picture on a wall that
gives you the same emotional response as if the wall had been
blank, a movie that chews up time. Good art will make you feel
an emotion that you have felt before; you see a picture of a
forest and you remember the last time you went fishing with your
dad, you hear a song about love and you remember the last time
you were in love. Great art will make you feel an emotion you
have never felt before; seeing the pieta, the world famous
sculpture by
Michelangelo, can cause someone to feel the pain of losing a
child even if they've never had one. And when you're trying for
these emotions the easiest one to trigger is anger.
Anyone can do it. Go into the street, throw a rock at someone,
you will make them angry. The emotions of love, empathy and
laughter are much harder to trigger, but since they operate on a
deeper level, they bring a much greater reward.
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01. faith noel [04:32]
02. the lost christmas eve [05:33]
03. christmas dreams [03:54]
04. wizards in winter [03:06]
05. remember [03:25]
06. anno domine [02:13]
07. christmas concerto [00:43]
08. queen of the winter night [03:12]
09. christmas nights in blue [04:18]
10. christmas jazz [02:17]
11. christmas jam [03:48]
12. siberian sleigh ride [03:09]
13. what is christmas? [02:51]
14. for the sake of our brother [03:09]
15. the wisdom of snow [02:01]
16. wish liszt (toy shop madness) [03:42]
17. back to a reason (part ii) [04:53]
18. christmas bells, carousels & time [01:05]
19. what child is this? [05:57]
20. o' come all ye faithful [01:26]
21. christmas canon rock [05:03]
22. different wings [02:44]
23. midnight clear [01:38]
─────────
74:39 min
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FNTx is a side-group of FNT, to get the shit out we dont release
under the label of FNT. You know the rest! :)
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we salute the usual suspects.
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« header/layout by mueslee^CRO may 2003 » <EOF>
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