Simone Dinnerstein -巴赫：《郭德堡变奏曲》
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简介: 专辑介绍: 巴赫：《郭德堡变奏曲》 美国BILLBOARD古典排行榜榜单(9.4-9.10)第一名 另一位纽约茱莉亚院毕业的女钢琴家演奏巴哈音乐脱潁而出，她的名字叫Simone Dinnerstein。录此CD后同年11月在卡纳基音乐厅的Weill演奏厅首次登台，演出一鸣惊人！纽约时报说她的演奏「充满想像力，属现代感的演绎」，她的弹奏打从第一个音符响起，就能吸引你的著意力，很快就带领人进入奇幻多彩的巴哈音乐世界中，一位新进演奏家有此功力实在不简单！ 录音中採用的史丹威D型音乐厅用大钢琴已有一百多年历史，是在汉堡制造的古董名琴，原由英国东北地区豪尔的大会堂所拥有，在第二次世界大战时曾遭损毁，幸好能修复再用，反映地区的重建精神。在2002年辗转运往美国纽约，由专家再翻新，回复原人的音韵，在世贸中心的冬季花园重开仪式中再显光芒。这琴的音色秀丽典雅，十分适合演绎巴哈的音乐，加以Simone Dinnerstein充满幻想力和全情投入的演奏，给人有琴人合一的感觉，效果难常美妙！ Telarc的录音完全摆脱了「数码声」，音色圆闰柔美而又带有光彩，动态比例亦恰到好处，属近期罕有的大师级钢琴音乐录音。 CD编号 : CD80692 演奏者 : 西莫妮狄娜史坦 Simone Dinnerstein - 查看所有专辑 指挥家 : 乐团 : 作曲家 : J.S.Bach - 查看所有专辑 专辑名称 : 巴哈:郭德堡变奏曲 J.S.Bach:Goldberg Variations BWV988 音乐类型 : 古典音乐 [CD 独奏曲] 发行公司/日期 : 上扬 2007/8/14 制作公司 : Telarc 内含片数 : 1 在美女小提琴家之餘，我们还真是需要美女钢琴家来平衡一下。Simone Dinnerstein是近两年美国炙手可热的美女钢琴家，气质出眾的她不仅拿手於现代作曲家作品，更儼然是美国年轻一代钢琴家詮释巴赫的代表人物。他音乐会的经常性曲目包含创意曲、法国组曲、英国组曲甚至平均律等；去年她在卡内基厅的郭德堡变奏曲演出，赢得各大报的一致好评。这张录音在这种情形下於焉诞生。Simone本人亲撰了一篇短文，阐述了她对郭德堡变奏曲的见解，第二声部的意义，以及特别强调了第27变奏的卡农到第30变奏，再重复回主题的意涵。Simone Dinnerstein的风格清新，音色清楚表达了每个音符，对各段标示也都圆满达成，无甚惊人之举（例如一向令人期待的第1、第5变奏）。特别借来的1903年史坦威钢琴，展现出珠圆玉润、丰沛饱满的声音。问题是，美则美矣，我们真的还需要一位年轻美丽的郭德堡詮释者吗？ Composer: J.S. Bach Audio CD (August 28, 2007) SPARS Code: DDD Number of Discs: 1 Label: Telarc ASIN: B000SQJ2X2 Pianist Simone Dinnerstein makes her Telarc debut with Bach’s Goldberg Variations, which she recorded in March 2005 with GRAMMY Award winning producer Adam Abeshouse. The New York Times trumpeted Dinnerstein’s Carnegie Hall recital debut performance of the Goldberg Variations as “a thoughtfully conceived, thoroughly modern performance that seemed to take into account the development of Western art music since Bach … there was something in the slight pauses she took between repeated sections, or between halves of variations, and something in her pacing of the set as a whole, that so completely evoked the image of a journey that Schubert’s Winterreise kept coming to mind.” Dinnerstein describes her approach to this music as a current interpretation of a timeless work. “Bach’s Goldberg Variations is a piece with a profound sense of structure and organization, and yet the listener never experiences these elements as constraints,” she says. “It is as expressive as it is diverse. Each variation explores a distinctive mood, a particular sound world, and a unique shade of character and emotion,” she continued. “We live in a world that is unimaginably different from Bach’s, but this piece speaks to us as powerfully as though it was written for our time.” In November 2005, she performed the complete Goldberg Variations on a self-produced Carnegie Hall recital debut. This bold move, coupled with the increasing interest in her unreleased recording of the piece, won her critical acclaim in the press. Dinnerstein’s Goldberg Variations was recorded in the neoclassic auditorium of the Academy of Arts and Letters in New York in March 2005. The piano she plays, a 1903 Hamburg Steinway model D concert grand, was originally owned by the town council of Hull, in Northeast England. During World War II, Hull was extensively bombed and the town hall in which the piano was housed was severely damaged. The piano, however, survived intact and was used in a series of concerts after the war to restore Hull’s spirit. In 2002, it was restored by Klavierhaus in New York City, in time to be used at the re-opening of the World Trade Center’s Winter Garden, playing the same role as it had in Hull over fifty years earlier. |