Various Artists -《马勒: 唯美慢板》(Mahler Adagios)[2 CD Set 更新完毕][FLAC]
![Various Artists -《马勒: 唯美慢板》(Mahler Adagios)[2 CD Set 更新完毕][FLAC]](/Uploads/31/313/313130.jpg)
电驴资源
| 用户共享的电驴资源列表 | |
|---|---|
| Various.Artists.-.[Mahler.Adagios.(CD.1)].专辑.(Flac).flac | 260.89 MB |
| Various.Artists.-.[Mahler.Adagios.(CD.1)].专辑.(Flac).cue | 1005 B |
| Various.Artists.-.[Mahler.Adagios.(CD.2)].专辑.(Flac).flac | 288.42 MB |
| Various.Artists.-.[Mahler.Adagios.(CD.2)].专辑.(Flac).cue | 968 B |
| 549.31 MB | |
电驴资源简介
简介:
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专辑介绍:
对许多乐迷而言，爱上马勒的原因，或许是丰富的配器或是悦耳动人的旋律，但无论出发点来自何处，听过马勒的慢板乐章，绝对会陷入「马勒情网」。在名导演马斯康尼的成名电影「魂断威尼斯」当中，成功地运用马勒第五号交响曲慢板乐章，营造出颓废、唯美的意境，将汤玛斯曼的文学作品、马勒的音乐和电影技术巧妙地搭配在一起。也就是这样的魅力，让马勒的音乐在录音技术的推波助拦下，成为二十世纪乐团录音的重要显学。
无论是情慾的纠葛或是对人类情感原始的渴望，在马勒的音乐中都可以轻易地获得满足。「马勒唯美慢板」就是一张以呈现十九世纪末唯美主义为设计概念的专辑，无论是第五号交响曲的慢板或是第二号交响曲的「原光」，甚至是第四号交响曲的第三乐章或第九号交响曲的慢板…，马勒音乐动人的魅力可说展露无遗。双CD全长130分鐘的美好饗宴，是认识马勒音乐的最佳起始选择。
Today Mahler's music enjoys an unprecedented level of popularity throughout the world - resurgence in interest that began in the 1960s, and which was fuelled by the use of the composer's music in films such as Visconti's Death in Venice and Ken Russell's Mahler.
This new addition to Decca's popular Adagios series has over two hours of Mahler's most haunting, emotional and beautiful music.
The recordings included here feature the famous partnership of Sir Georg Solti and the Chicago Symphony Orchestra, as well as Riccardo Chailly and the Deutsches Symphonie-Orchester Berlin with Brigitte Fassbaender in the haunting Ich bin der Welt abhanden gekommen .
An ideal introduction to the world of Mahler.
引用When I first learned there was a new CD featuring only the adagios--the slow parts of Mahler's composing repertoire, I thought it would probably just be something for Mahler nuts like me who will buy anything related to Mahler. I admired the marketing ingenuity of finding another Mahler collection to sell during the 2010 sesquicentennial of Mahler's birth.
It turns out this is not a bad purchase. As you look over the details of the selections, all (except for Ich bin der Welt abhanden gekommen ) are of the Chicago Symphony Orchestra led by Georg Solti. As you might expect, they are excellently-done, and the soloists exemplary in their performances: Birgitte Fassbaender in the Ruckert-Lieder song, Mira Zakai with a clear delivery of Urlicht, and Yvonne Minton with a moving singing of Der Abschied from Das Lied von der Erde. A delightful surprise for me, as a fan of Mahler's use of cowbells was Solti's choice to let the cowbells clank through far more audibly than is usually heard.
Many admirers of Mahler already have many of these performances in their collections, so why would someone want to buy this 2 CD set? Well, in addition to a lot of Mahler for your money--two CDs each over an hour long--and some of the most beautiful slow music this master wrote--I think it might also be a good tool to help introduce newcomers to Mahler. It doesn't require the attention and time of a full Mahler symphony, and yet it presents a new listener with many of the beautiful melodies that have led so many to fall in love with Mahler.
Gustav Mahler - ADAGIOS (selected from Symphonies Nos. 5, 2, 4, 6, 3, 9 Rückert-Lieder) (Mira Zakai, Yvonne Minton, Brigitte Fassbaender, CSO Georg Solti, DSO Riccardo Chailly) - 2 CDs, 1970-1984/2010, Decca
/thumb.jpg)
专辑介绍:
对许多乐迷而言，爱上马勒的原因，或许是丰富的配器或是悦耳动人的旋律，但无论出发点来自何处，听过马勒的慢板乐章，绝对会陷入「马勒情网」。在名导演马斯康尼的成名电影「魂断威尼斯」当中，成功地运用马勒第五号交响曲慢板乐章，营造出颓废、唯美的意境，将汤玛斯曼的文学作品、马勒的音乐和电影技术巧妙地搭配在一起。也就是这样的魅力，让马勒的音乐在录音技术的推波助拦下，成为二十世纪乐团录音的重要显学。
无论是情慾的纠葛或是对人类情感原始的渴望，在马勒的音乐中都可以轻易地获得满足。「马勒唯美慢板」就是一张以呈现十九世纪末唯美主义为设计概念的专辑，无论是第五号交响曲的慢板或是第二号交响曲的「原光」，甚至是第四号交响曲的第三乐章或第九号交响曲的慢板…，马勒音乐动人的魅力可说展露无遗。双CD全长130分鐘的美好饗宴，是认识马勒音乐的最佳起始选择。
Today Mahler's music enjoys an unprecedented level of popularity throughout the world - resurgence in interest that began in the 1960s, and which was fuelled by the use of the composer's music in films such as Visconti's Death in Venice and Ken Russell's Mahler.
This new addition to Decca's popular Adagios series has over two hours of Mahler's most haunting, emotional and beautiful music.
The recordings included here feature the famous partnership of Sir Georg Solti and the Chicago Symphony Orchestra, as well as Riccardo Chailly and the Deutsches Symphonie-Orchester Berlin with Brigitte Fassbaender in the haunting Ich bin der Welt abhanden gekommen .
An ideal introduction to the world of Mahler.
引用When I first learned there was a new CD featuring only the adagios--the slow parts of Mahler's composing repertoire, I thought it would probably just be something for Mahler nuts like me who will buy anything related to Mahler. I admired the marketing ingenuity of finding another Mahler collection to sell during the 2010 sesquicentennial of Mahler's birth.
It turns out this is not a bad purchase. As you look over the details of the selections, all (except for Ich bin der Welt abhanden gekommen ) are of the Chicago Symphony Orchestra led by Georg Solti. As you might expect, they are excellently-done, and the soloists exemplary in their performances: Birgitte Fassbaender in the Ruckert-Lieder song, Mira Zakai with a clear delivery of Urlicht, and Yvonne Minton with a moving singing of Der Abschied from Das Lied von der Erde. A delightful surprise for me, as a fan of Mahler's use of cowbells was Solti's choice to let the cowbells clank through far more audibly than is usually heard.
Many admirers of Mahler already have many of these performances in their collections, so why would someone want to buy this 2 CD set? Well, in addition to a lot of Mahler for your money--two CDs each over an hour long--and some of the most beautiful slow music this master wrote--I think it might also be a good tool to help introduce newcomers to Mahler. It doesn't require the attention and time of a full Mahler symphony, and yet it presents a new listener with many of the beautiful melodies that have led so many to fall in love with Mahler.
Gustav Mahler - ADAGIOS (selected from Symphonies Nos. 5, 2, 4, 6, 3, 9 Rückert-Lieder) (Mira Zakai, Yvonne Minton, Brigitte Fassbaender, CSO Georg Solti, DSO Riccardo Chailly) - 2 CDs, 1970-1984/2010, Decca