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Mikhail Pletnev -《贝多芬:钢琴协奏曲2&4》(Beethoven:Piano Concertos Nos.2&4)博兰斯勒(Blüthner)钢琴现场版[FLAC]

Mikhail Pletnev -《贝多芬:钢琴协奏曲2&4》(Beethoven:Piano Concertos Nos.2&4)博兰斯勒(Blüthner)钢琴现场版[FLAC]
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音乐 - 古典音乐
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摘要:
Douban2249727:9.4(14 votes)古典类型: 协奏曲发行时间: 2007年8月7日
发布:
2011-05-02 13:11:55
更新:
2011-05-11 13:21:54

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Mikhail.Pletnev.-.[Beethoven.Piano.Concertos.Nos.2&4].专辑.(Flac).rar 241.67 MB
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简介:
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厂牌:Deutsche Grammophon
作曲:Ludwig van Beethoven
钢琴:Mikhail Pletnev
乐队:Russian National Orchestra
指挥:Christian Gansch
唱片编号:477 6416 8
专辑简介:
Tokyo's 2007 Record Academy Prize as the year's Best Concerto Recording .
东京2007录音学院奖的年度“最佳协奏曲录音”。
2006年9月波恩贝多芬音乐节现场实况录音。这张CD和上一张的贝多芬第一、三钢协是同一个时候的演出,上一张的演奏已经很精彩,而这张录音展现出音乐家的造诣更加全面。
应普雷特涅夫自己的要求,演奏采用了博兰斯勒大演奏琴,钢琴本身剔透如水的音色配上贝多芬第4钢琴协奏曲本身的音色展现成就了完美的演出。
引用Mikhail Pletnev's Beethoven project is a large-scale recording venture that is unprecedented in his career - his first Beethoven Piano Concertos and Symphonies recordings. Pletnev recorded all Nine Symphonies with the Russian National Orchestra in a Moscow studio, while the five Piano Concertos were recorded live with the same orchestra over two days during the 2006 Beethoven Festival in Bonn. All of these musicians lived with and prepared this project in order to be able to record it in such a concentrated time span.
Pletnev is one of the truly unique and universal artists on DG: Like Beethoven himself, Pletnev is a pianist, a conductor, and a composer. The Beethoven project is very close to his heart: For me Beethoven is like a god. I worship him, and I admire his music. It always produces very deep emotions in me when I'm conducting it or playing it on the piano.
The project - Pletnev's interpretation of a large part of Beethoven's oeuvre - reflects a very individual and special reading of Beethoven's music. Pletnev is famous for being a free yet sublime musician. He strongly believes in interpretative freedom and an artist's obligation not to deliver a mausoleum-like performance but rather to make classical music come to life by using it to communicate his own emotions to the audience. As Pletnev puts it, It should go from heart to heart.
即使这是普雷特涅夫庞大的贝多芬工程里的一小部分,把它单单拿出来看也是一张能独当一面的唱片。普雷特涅夫对两首钢琴协奏曲的解读摆脱了以往观点的束缚,却仍然是使人信服的演奏。