Various Artists -《贝多芬百分百》(100 Best Beethoven)[6 CD Set 更新完毕][MP3]
![Various Artists -《贝多芬百分百》(100 Best Beethoven)[6 CD Set 更新完毕][MP3]](/Uploads/34/344/344280.jpg)
电驴资源
| 用户共享的电驴资源列表 | |
|---|---|
| Various.Artists.-.[100.Best.Beethoven.(CD.1)]专辑.(Mp3).rar | 169.12 MB |
| Various.Artists.-.[100.Best.Beethoven.(CD.2)]专辑.(Mp3).rar | 171.05 MB |
| Various.Artists.-.[100.Best.Beethoven.(CD.3)]专辑.(Mp3).rar | 167.33 MB |
| Various.Artists.-.[100.Best.Beethoven.(CD.4)]专辑.(Mp3).rar | 154.48 MB |
| Various.Artists.-.[100.Best.Beethoven.(CD.5)]专辑.(Mp3).rar | 159.99 MB |
| Various.Artists.-.[100.Best.Beethoven.(CD.6)]专辑.(Mp3).rar | 167.60 MB |
| 989.57 MB | |
电驴资源简介
专辑英文名: 100 Best Beethoven专辑中文名: 贝多芬百分百艺术家: Various Artists古典类型: 全集作品资源格式: MP3版本: [6 CD Set 更新完毕]发行时间: 2007年07月13日地区: 美国简介:
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压缩码率: 320Kbps
专辑介绍：
贝多芬被尊称为「乐圣」，就像杜甫一样，他是「乐以载道」的音乐圣徒，而不是光为写出供人娱乐享受的音乐为满足。贝多芬的音乐可以说是人类啟蒙时代的先声，在十九世纪初那个欧洲刚经历法国大革命和拿破崙大战洗礼的年代里，自由、平等、博爱三个议题初进入人们的思想中，取代了封建和神权时代的旧有体制，贝多芬抢先用音乐歌颂这种理想的境界。在他的第九号交响曲「合唱」中，他讚扬世人皆兄弟的伟大情操；在歌剧「费黛里奥」中则阐明自由与真爱战胜邪恶与阴谋；在第六号「田园」交响曲中，他讚美大自然的美好造物。贝多芬又是最执著的技巧家，他延续海顿和莫札特等维也纳古典乐派作曲家在交响曲、弦乐四重奏、钢琴三重奏、钢琴奏鸣曲、小提琴奏鸣曲、大提琴奏鸣曲上的创见，将这些曲式发展成无比庞大且具有表达情感张力的音乐结构，让德国音乐第一次在欧洲乐坛上超越义大利和法国乐派的地位，从此扭转了德国在音乐史上的重要性，至今贝多芬的九首交响曲、32首钢琴奏鸣曲都还是严肃、纯粹的音乐艺术，也是所有学习音乐的人必须参透和学习的对象。在这六张CD中，共收录了一百首贝多芬知名的作品乐章，分别由曼纽因、卡拉扬、慕提、苏克、李希特、吉利尔斯、塞尔、季雪金、沙瓦利许、桑德林、约夫姆、阿劳、柯瓦契维奇、托特里耶、费拉斯、杜普蕾、阿班贝尔格四重奏、朱里尼、费雪迪斯考、阿梅琳等欧洲一流的名家为您演出。
The trouble with anthology recordings of this kind is that at root, just as with any other kind of music, a great classical performance depends less on a set of abstract qualities of excellence than on a creative response to a given set of circumstances. That said, this six-disc outing does better than most with the particularly difficult problem of offering a reasonable sample of Beethoven's music. Britain's EMI label has a deep catalog of recordings under its control, and the set can reach back to the late '50s for genuine classics like Walter Gieseking's effortlessly fluent Piano Sonata No. 8 in C minor, Op. 13 ( Pathétique ), or as far forward as the 1990s. That work and several others are presented complete; the lack of complete works is a bane of Beethoven samplers, and a point in favor of this one even if the full works are, except for the Pathétique, on the light side. The six CDs are each devoted to a single instrumental genre, with the first disc offering from one to three movements of each of the nine symphonies plus various shorter orchestral works. Even with six CDs there's no way to fit everything in, and the compilers tend to show a preference for the relatively slower slow movements and scherzos. Big sonata-form movements like that of the Piano Sonata No. 23 in F minor, Op. 57, are excerpted. This may seem unfortunate, but the emphasis is on the broad sweep of Beethoven's career. From that standpoint, the biggest complaint in the selection is the sparsity of works from
Beethoven's transcendent late period; although six minutes of the Ode to Joy (with bass recitative) from the finale of the Symphony No. 9 are presented, the listener will not really get an idea of what happened to the music of the by then totally deaf Beethoven at the end of his life. Shorter works like the Duo for clarinet and bassoon in C major, WoO 25, could have been dropped in favor of part or all of one of the late quartets (and likewise with the Rondo a capriccio in G major, Op. 129, known as Rage
Over a Lost Penny in exchange for a late piano sonata movement). The remastering of this diverse set of sonic sources is not seamless but will meet the needs of a listener hoping to devote a series of commutes to getting to know Beethoven's music. Better, probably, to pick a Beethoven recital by a well-regarded pianist and buy a ticket, but this set will give the newcomer a taste of a lot of Beethoven.
~ James Manheim, Rovi
压缩码率: 320Kbps
专辑介绍：
贝多芬被尊称为「乐圣」，就像杜甫一样，他是「乐以载道」的音乐圣徒，而不是光为写出供人娱乐享受的音乐为满足。贝多芬的音乐可以说是人类啟蒙时代的先声，在十九世纪初那个欧洲刚经历法国大革命和拿破崙大战洗礼的年代里，自由、平等、博爱三个议题初进入人们的思想中，取代了封建和神权时代的旧有体制，贝多芬抢先用音乐歌颂这种理想的境界。在他的第九号交响曲「合唱」中，他讚扬世人皆兄弟的伟大情操；在歌剧「费黛里奥」中则阐明自由与真爱战胜邪恶与阴谋；在第六号「田园」交响曲中，他讚美大自然的美好造物。贝多芬又是最执著的技巧家，他延续海顿和莫札特等维也纳古典乐派作曲家在交响曲、弦乐四重奏、钢琴三重奏、钢琴奏鸣曲、小提琴奏鸣曲、大提琴奏鸣曲上的创见，将这些曲式发展成无比庞大且具有表达情感张力的音乐结构，让德国音乐第一次在欧洲乐坛上超越义大利和法国乐派的地位，从此扭转了德国在音乐史上的重要性，至今贝多芬的九首交响曲、32首钢琴奏鸣曲都还是严肃、纯粹的音乐艺术，也是所有学习音乐的人必须参透和学习的对象。在这六张CD中，共收录了一百首贝多芬知名的作品乐章，分别由曼纽因、卡拉扬、慕提、苏克、李希特、吉利尔斯、塞尔、季雪金、沙瓦利许、桑德林、约夫姆、阿劳、柯瓦契维奇、托特里耶、费拉斯、杜普蕾、阿班贝尔格四重奏、朱里尼、费雪迪斯考、阿梅琳等欧洲一流的名家为您演出。
The trouble with anthology recordings of this kind is that at root, just as with any other kind of music, a great classical performance depends less on a set of abstract qualities of excellence than on a creative response to a given set of circumstances. That said, this six-disc outing does better than most with the particularly difficult problem of offering a reasonable sample of Beethoven's music. Britain's EMI label has a deep catalog of recordings under its control, and the set can reach back to the late '50s for genuine classics like Walter Gieseking's effortlessly fluent Piano Sonata No. 8 in C minor, Op. 13 ( Pathétique ), or as far forward as the 1990s. That work and several others are presented complete; the lack of complete works is a bane of Beethoven samplers, and a point in favor of this one even if the full works are, except for the Pathétique, on the light side. The six CDs are each devoted to a single instrumental genre, with the first disc offering from one to three movements of each of the nine symphonies plus various shorter orchestral works. Even with six CDs there's no way to fit everything in, and the compilers tend to show a preference for the relatively slower slow movements and scherzos. Big sonata-form movements like that of the Piano Sonata No. 23 in F minor, Op. 57, are excerpted. This may seem unfortunate, but the emphasis is on the broad sweep of Beethoven's career. From that standpoint, the biggest complaint in the selection is the sparsity of works from
Beethoven's transcendent late period; although six minutes of the Ode to Joy (with bass recitative) from the finale of the Symphony No. 9 are presented, the listener will not really get an idea of what happened to the music of the by then totally deaf Beethoven at the end of his life. Shorter works like the Duo for clarinet and bassoon in C major, WoO 25, could have been dropped in favor of part or all of one of the late quartets (and likewise with the Rondo a capriccio in G major, Op. 129, known as Rage
Over a Lost Penny in exchange for a late piano sonata movement). The remastering of this diverse set of sonic sources is not seamless but will meet the needs of a listener hoping to devote a series of commutes to getting to know Beethoven's music. Better, probably, to pick a Beethoven recital by a well-regarded pianist and buy a ticket, but this set will give the newcomer a taste of a lot of Beethoven.
~ James Manheim, Rovi