Apocalyptica -《Cult》[2 CD Special Edition][更新AAC][FLAC]
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| Apocalyptica.-.[Cult.(2.CD.Special.Edition)].专辑.(FLAC).rar | 498.71 MB |
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电驴资源简介
简介:
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专辑介绍:
在Cult中Apocalyptica完全充分的体现了他们的无比才华。脱离翻唱后Apocalyptica同样出色。整张专辑凭借着Apocalyptica一流的演奏技巧和歌曲创作，使得每首歌都十分切题，而从Path到Coma连接成一个远古顶礼膜拜的整体故事主题，就象专辑封面上那架骷髅，显出一种狂热和执着去面对周遭环境的安宁自信，也为生活在这个浮躁的城市里的人们带来了深深的思考。专辑本身回归了Apocalyptica古典乐的风格，而其中提琴对于金属乐的模仿打破了声音与乐器之间的界限，更为新古典金属写下了一个全新的篇章，可以说对于Apocalyptica以及古典金属乐界，这都是一张不可多得的优秀作品。
当我一听到《Path》时，就彻底迷上啦。
引用Fans who remember Apocalyptica from its first two albums might have suspected that the four Finnish cellists would fade into obscurity after their stock of Metallica covers ran dry. Sure, the shtick worked well while it lasted, but the irony of classically trained cellists covering heavy metal will only hold listeners' attention for so long. This is why, on their third album, they've taken some risks. The ensemble has grown to feature a double bass, orchestral percussion, and distorted cellos. Plus, they stick strickly to their own songs, and, at a time when heavy metal has gone the way of dodo birds and disco, they've refused to abandon their roots. Cult, Apocalyptica's third album, is a meld of late-'80s melodramatic heavy metal and late-1800s romanticism. When it's all said and done, these Finns can flat out play. Struggle opens up with eerie insect noises and then pounces into a section that sounds eerily like Sepultura. Some of the harmonies on Pray are so cleverly placed they can be mistaken for a human voice for the first few notes. Every song is an epic, and every song is dark and heavy. It's not old school Metallica, but it is some of the most intelligent, original heavy metal being made today.
专辑介绍:
在Cult中Apocalyptica完全充分的体现了他们的无比才华。脱离翻唱后Apocalyptica同样出色。整张专辑凭借着Apocalyptica一流的演奏技巧和歌曲创作，使得每首歌都十分切题，而从Path到Coma连接成一个远古顶礼膜拜的整体故事主题，就象专辑封面上那架骷髅，显出一种狂热和执着去面对周遭环境的安宁自信，也为生活在这个浮躁的城市里的人们带来了深深的思考。专辑本身回归了Apocalyptica古典乐的风格，而其中提琴对于金属乐的模仿打破了声音与乐器之间的界限，更为新古典金属写下了一个全新的篇章，可以说对于Apocalyptica以及古典金属乐界，这都是一张不可多得的优秀作品。
当我一听到《Path》时，就彻底迷上啦。
引用Fans who remember Apocalyptica from its first two albums might have suspected that the four Finnish cellists would fade into obscurity after their stock of Metallica covers ran dry. Sure, the shtick worked well while it lasted, but the irony of classically trained cellists covering heavy metal will only hold listeners' attention for so long. This is why, on their third album, they've taken some risks. The ensemble has grown to feature a double bass, orchestral percussion, and distorted cellos. Plus, they stick strickly to their own songs, and, at a time when heavy metal has gone the way of dodo birds and disco, they've refused to abandon their roots. Cult, Apocalyptica's third album, is a meld of late-'80s melodramatic heavy metal and late-1800s romanticism. When it's all said and done, these Finns can flat out play. Struggle opens up with eerie insect noises and then pounces into a section that sounds eerily like Sepultura. Some of the harmonies on Pray are so cleverly placed they can be mistaken for a human voice for the first few notes. Every song is an epic, and every song is dark and heavy. It's not old school Metallica, but it is some of the most intelligent, original heavy metal being made today.