Louis Armstrong -《Louis Armstrong Plays W.C. Handy 》(爵士与蓝调)[SACD-R ISO] [Remastered 1997]
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专辑介绍:
爵士与蓝调 / 路易斯阿姆斯壮【SACD】
Louis Armstrong / Plays W.C. Handy
此产品仅能於SACD专用播放机器聆听
当爵士碰上蓝调会发生什么情形？这两种柬容性很高的乐种碰在一起，就像泗精碰到水一般，随著比例不同会让您有不同程度的微醺陶醉。
路易斯阿姆斯壮，爵士乐坛的小喇叭与演唱泰斗，出身纽奥良的纯正背景加上他感情深刻的小喇叭吹奏，不仅为爵士乐写下黄金岁月的一页，同时也让他成为爵士乐的标竿人物。这张专辑路易斯阿姆斯壮演奏「蓝调之父」W.C. Handy的作品，让爵士与蓝调产生良好的发酵作。1873年出生在美国阿拉巴马州的W.C Handy，创作了许多知名的蓝调音乐，例如：St. Louis Blues、Yellow Dog Blues、Aunt Hagars’ Blues 、The Memphis Blues、Beale Street Blues等等。由於眼疾关係，在二０年代Handy因而失明，他也因此放弃演奏、演唱而专心从事创作，1941年Handy出版自传「蓝调之父」，称号至今仍被沿、爵士小喇只天王路易斯阿姆斯壮在Handy的协助监制之下完这张专集，两位年龄相差将近三十岁的乐坛高手，不仅透过音乐形成忘年的莫逆之，阿姆斯壮更像个孩子似的在Handy身边听著他的珠机教诲，让他在詮释蓝调音乐时能有更深的体验与认知。
在这张专辑，阿姆斯壮又吹又唱地展现绝活，演奏了Handy传世蓝调经典十六首，不管您是爵士迷、蓝调迷，面对这样一张两大天王携手的制作，能不心动者机希
爵士与蓝调 / 路易斯阿姆斯壮【SACD】【已绝版！无法供货！】
唱片公司： SONY BMG
音乐类型： SACD.AQCD.HQCD
唱片编号： CS64925
品项： SACD
his recording was not only Louis Armstrongs finest record of the 1950s but one of the truly classic jazz sets. Armstrong his All-Stars trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, bassist Arvell Shaw, drummer Barrett Deems singer Velma Middleton, were clearly inspired by the fresh repertoire, 11 songs written by W.C. Handy. Their nearly 9-minute version of St. Louis Blues with witty vocals, roaring Young trombone a couple of long majestic trumpet solos is arguably the greatest version of the oft-recorded song. Other highlights include Loveless Love, Beale Street Blues a romping version of Ole Miss Blues. Essential music for all serious jazz collections.
Музыканты:
Louis Armstrong – trumpet, vocals
Barney Bigard – clarinet
Barrett Deems – drums
W. C. Handy – performer
Billy Kyle – piano
Velma Middleton – vocals
Arvell Shaw – bass
Trummy Young – trombone
引用A wonderful meeting of two institutions of American music, this 1954 album was the finest recording of Louis Armstrong's later career, with the great trumpeter-singer turning to material that was very close to his roots. Both W.C. Handy and Armstrong had a complex relationship with the blues, an essential source for both Handy's popular songs and Armstrong's improvisational art, and these recordings touch on the heart of the matter. On Yellow Dog Blues, a product of Handy's own early and chance encounter with the rural blues, there's a majesty that recalls Armstrong's early recordings with Bessie Smith. Armstrong is clearly inspired by the classic material and the chance to stretch out on record, and his regular band of the period joins in perfectly. Trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, and singer Velma Middleton contribute stellar solos and support, while bassist Arvell Shaw and drummer Barrett Deems do an exceptional job of keeping the slower tempos rock steady. This is a deeply moving and consummately executed performance. ~ Amazon
Review
by Scott Yanow
This recording was not only Louis Armstrong's finest record of the 1950s but one of the truly classic jazz sets. Armstrong and his All-Stars (trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, bassist Arvell Shaw, drummer Barrett Deems, and singer Velma Middleton) were clearly inspired by the fresh repertoire, 11 songs written by W.C. Handy. Their nearly nine-minute version of St. Louis Blues (with witty vocals, roaring Young trombone, and a couple of long majestic trumpet solos) is arguably the greatest version of the oft-recorded song. Other highlights include Loveless Love, Beale Street Blues, and a romping version of Ole Miss Blues. The CD reissue also includes rehearsal versions of three songs, Louis Armstrong telling a joke, and a brief George Avakian interview with W.C. Handy. Essential music for all serious jazz collections.
Bass – Arvell Shaw
Clarinet – Barney Bigard
Drums – Barrett Deems
Piano – Billy Kyle
Trombone – Trummy Young
Trumpet, Vocals – Louis Armstrong
Vocals – Velma Middleton
Notes▼
Reissue of 1954 and 1956 recordings.
引用『这张专辑不仅是路易斯．阿姆斯壮1950年代期间最上乘的作品，更是一张真正的爵士乐经典。』 …ALL Music Guide
WC韩第（Williams Christopher Handy）人称『蓝调之父』网緄緀綡，鉿鉺銦銗毕生奉献於将蓝调从默默无闻的乡土音乐推广流通至更多普罗大眾，甚至成为影响后来爵士乐、节奏蓝调（R B）、摇滚乐（Rock N’ Roll）等西洋通俗乐类最重要的元素。
路易斯．阿姆斯壮（Louis Armstrong）则是美国最具影响力的爵士歌手瑰瑮瑧瑢，銣銔銆銌小号演奏家，他是首度将单一乐器从著重集体演奏的固执传统中『解放』出来靼靺鞃鞀，銠铬銝銇以加强乐器独奏份量的重要推手。他如沙磨般厚实而沙哑的嗓音，亲切温暖表情丰富的演唱方式潀漅漡漇，嘓团图垫加上顺应曲间穿插的即兴唸唱（Scat）和生气活泼的小喇叭吹奏，让他成为拥有无敌舞台魅力，所有后辈爵士／流行歌手如平克劳斯贝（Bing Crosby）、法兰克辛纳屈（Frank Sinatra）等独一无二的偶像标竿。随著影音作品的流传，他的影响力甚至扩及流行乐坛，权威音乐网站乐评Steve Leggett讚扬他『…可能是20世纪最重要的美国音乐家。』，而他更是早在1949年二月登上美国时代杂誌封面的第一位爵士乐手。出生於纽奥良贫民窟的路易斯．阿姆斯壮，早年生活根本就是蓝调歌曲中，加上他自幼深受蓝调、克里奥（Creole）这种欧非混种音乐和繁拍音乐（Ragtime，爵士乐前身）的薰陶，若由他来詮释蓝调乐曲，那绝对是乐迷所抱以最高期待的精采作品。
本专辑诞生的原因，年岁已高且眼盲的韩第，虽然蒐集并演唱蓝调，却很少留下录音纪录这些珍贵的文化遗产，於是有人向他推荐一向是他歌迷且经常演唱他作品的路易斯．阿姆斯壮来肩负这项伟大的使命，於是当Columbia唱片在1954年与阿姆斯壮签约之后，这张就成为加盟后的首张录音室作品，同时也是路易斯1954年改组后的乐队The All- Stars的处女作。专辑录音当时，韩第高龄八十，两眼已衰盲，兴致高昂蒞临录音室，据说阿姆斯壮在这位长辈面前表演几首的曲子，随后完成了这张被乐迷奉为荒岛唱片的经典。
首支非採流行歌短版的方式，将近9分鐘的 Saint Louis Blues 像是阿姆斯壮在宣示这次是玩真的，曲子先由他本人小号领奏接著女歌手薇玛弥多敦（Velma Middleton）这段意韵十足演唱，已经叫人沉醉不已，等间隔小号独奏后听完抢进来那熟悉的沙磨嗓子演唱，整首曲才算有高潮的完整，另外 Yellow Dog Blue 一曲中单簧管手巴尼毕葛德（Barney Bigard）有自信骄傲的技巧表现， Loveless Love 路易斯激情发骚的高把位小喇叭音色与鼓手贝瑞特狄姆炫技的演奏，简直High翻天，继续听完 Beal Street Blues 和 The Memphis Blues 之后，相信你已经浑然忘我，彷若置身纽奥良的蓝调酒吧。
这张专辑我也很爱...而且越听越有味道~~个人强烈推荐喔~~喜欢爵士或者是路易斯．阿姆斯壮的歌迷们不能错过的一张专辑...
专辑介绍:
爵士与蓝调 / 路易斯阿姆斯壮【SACD】
Louis Armstrong / Plays W.C. Handy
此产品仅能於SACD专用播放机器聆听
当爵士碰上蓝调会发生什么情形？这两种柬容性很高的乐种碰在一起，就像泗精碰到水一般，随著比例不同会让您有不同程度的微醺陶醉。
路易斯阿姆斯壮，爵士乐坛的小喇叭与演唱泰斗，出身纽奥良的纯正背景加上他感情深刻的小喇叭吹奏，不仅为爵士乐写下黄金岁月的一页，同时也让他成为爵士乐的标竿人物。这张专辑路易斯阿姆斯壮演奏「蓝调之父」W.C. Handy的作品，让爵士与蓝调产生良好的发酵作。1873年出生在美国阿拉巴马州的W.C Handy，创作了许多知名的蓝调音乐，例如：St. Louis Blues、Yellow Dog Blues、Aunt Hagars’ Blues 、The Memphis Blues、Beale Street Blues等等。由於眼疾关係，在二０年代Handy因而失明，他也因此放弃演奏、演唱而专心从事创作，1941年Handy出版自传「蓝调之父」，称号至今仍被沿、爵士小喇只天王路易斯阿姆斯壮在Handy的协助监制之下完这张专集，两位年龄相差将近三十岁的乐坛高手，不仅透过音乐形成忘年的莫逆之，阿姆斯壮更像个孩子似的在Handy身边听著他的珠机教诲，让他在詮释蓝调音乐时能有更深的体验与认知。
在这张专辑，阿姆斯壮又吹又唱地展现绝活，演奏了Handy传世蓝调经典十六首，不管您是爵士迷、蓝调迷，面对这样一张两大天王携手的制作，能不心动者机希
爵士与蓝调 / 路易斯阿姆斯壮【SACD】【已绝版！无法供货！】
唱片公司： SONY BMG
音乐类型： SACD.AQCD.HQCD
唱片编号： CS64925
品项： SACD
his recording was not only Louis Armstrongs finest record of the 1950s but one of the truly classic jazz sets. Armstrong his All-Stars trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, bassist Arvell Shaw, drummer Barrett Deems singer Velma Middleton, were clearly inspired by the fresh repertoire, 11 songs written by W.C. Handy. Their nearly 9-minute version of St. Louis Blues with witty vocals, roaring Young trombone a couple of long majestic trumpet solos is arguably the greatest version of the oft-recorded song. Other highlights include Loveless Love, Beale Street Blues a romping version of Ole Miss Blues. Essential music for all serious jazz collections.
Музыканты:
Louis Armstrong – trumpet, vocals
Barney Bigard – clarinet
Barrett Deems – drums
W. C. Handy – performer
Billy Kyle – piano
Velma Middleton – vocals
Arvell Shaw – bass
Trummy Young – trombone
引用A wonderful meeting of two institutions of American music, this 1954 album was the finest recording of Louis Armstrong's later career, with the great trumpeter-singer turning to material that was very close to his roots. Both W.C. Handy and Armstrong had a complex relationship with the blues, an essential source for both Handy's popular songs and Armstrong's improvisational art, and these recordings touch on the heart of the matter. On Yellow Dog Blues, a product of Handy's own early and chance encounter with the rural blues, there's a majesty that recalls Armstrong's early recordings with Bessie Smith. Armstrong is clearly inspired by the classic material and the chance to stretch out on record, and his regular band of the period joins in perfectly. Trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, and singer Velma Middleton contribute stellar solos and support, while bassist Arvell Shaw and drummer Barrett Deems do an exceptional job of keeping the slower tempos rock steady. This is a deeply moving and consummately executed performance. ~ Amazon
Review
by Scott Yanow
This recording was not only Louis Armstrong's finest record of the 1950s but one of the truly classic jazz sets. Armstrong and his All-Stars (trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, bassist Arvell Shaw, drummer Barrett Deems, and singer Velma Middleton) were clearly inspired by the fresh repertoire, 11 songs written by W.C. Handy. Their nearly nine-minute version of St. Louis Blues (with witty vocals, roaring Young trombone, and a couple of long majestic trumpet solos) is arguably the greatest version of the oft-recorded song. Other highlights include Loveless Love, Beale Street Blues, and a romping version of Ole Miss Blues. The CD reissue also includes rehearsal versions of three songs, Louis Armstrong telling a joke, and a brief George Avakian interview with W.C. Handy. Essential music for all serious jazz collections.
Bass – Arvell Shaw
Clarinet – Barney Bigard
Drums – Barrett Deems
Piano – Billy Kyle
Trombone – Trummy Young
Trumpet, Vocals – Louis Armstrong
Vocals – Velma Middleton
Notes▼
Reissue of 1954 and 1956 recordings.
引用『这张专辑不仅是路易斯．阿姆斯壮1950年代期间最上乘的作品，更是一张真正的爵士乐经典。』 …ALL Music Guide
WC韩第（Williams Christopher Handy）人称『蓝调之父』网緄緀綡，鉿鉺銦銗毕生奉献於将蓝调从默默无闻的乡土音乐推广流通至更多普罗大眾，甚至成为影响后来爵士乐、节奏蓝调（R B）、摇滚乐（Rock N’ Roll）等西洋通俗乐类最重要的元素。
路易斯．阿姆斯壮（Louis Armstrong）则是美国最具影响力的爵士歌手瑰瑮瑧瑢，銣銔銆銌小号演奏家，他是首度将单一乐器从著重集体演奏的固执传统中『解放』出来靼靺鞃鞀，銠铬銝銇以加强乐器独奏份量的重要推手。他如沙磨般厚实而沙哑的嗓音，亲切温暖表情丰富的演唱方式潀漅漡漇，嘓团图垫加上顺应曲间穿插的即兴唸唱（Scat）和生气活泼的小喇叭吹奏，让他成为拥有无敌舞台魅力，所有后辈爵士／流行歌手如平克劳斯贝（Bing Crosby）、法兰克辛纳屈（Frank Sinatra）等独一无二的偶像标竿。随著影音作品的流传，他的影响力甚至扩及流行乐坛，权威音乐网站乐评Steve Leggett讚扬他『…可能是20世纪最重要的美国音乐家。』，而他更是早在1949年二月登上美国时代杂誌封面的第一位爵士乐手。出生於纽奥良贫民窟的路易斯．阿姆斯壮，早年生活根本就是蓝调歌曲中，加上他自幼深受蓝调、克里奥（Creole）这种欧非混种音乐和繁拍音乐（Ragtime，爵士乐前身）的薰陶，若由他来詮释蓝调乐曲，那绝对是乐迷所抱以最高期待的精采作品。
本专辑诞生的原因，年岁已高且眼盲的韩第，虽然蒐集并演唱蓝调，却很少留下录音纪录这些珍贵的文化遗产，於是有人向他推荐一向是他歌迷且经常演唱他作品的路易斯．阿姆斯壮来肩负这项伟大的使命，於是当Columbia唱片在1954年与阿姆斯壮签约之后，这张就成为加盟后的首张录音室作品，同时也是路易斯1954年改组后的乐队The All- Stars的处女作。专辑录音当时，韩第高龄八十，两眼已衰盲，兴致高昂蒞临录音室，据说阿姆斯壮在这位长辈面前表演几首的曲子，随后完成了这张被乐迷奉为荒岛唱片的经典。
首支非採流行歌短版的方式，将近9分鐘的 Saint Louis Blues 像是阿姆斯壮在宣示这次是玩真的，曲子先由他本人小号领奏接著女歌手薇玛弥多敦（Velma Middleton）这段意韵十足演唱，已经叫人沉醉不已，等间隔小号独奏后听完抢进来那熟悉的沙磨嗓子演唱，整首曲才算有高潮的完整，另外 Yellow Dog Blue 一曲中单簧管手巴尼毕葛德（Barney Bigard）有自信骄傲的技巧表现， Loveless Love 路易斯激情发骚的高把位小喇叭音色与鼓手贝瑞特狄姆炫技的演奏，简直High翻天，继续听完 Beal Street Blues 和 The Memphis Blues 之后，相信你已经浑然忘我，彷若置身纽奥良的蓝调酒吧。
这张专辑我也很爱...而且越听越有味道~~个人强烈推荐喔~~喜欢爵士或者是路易斯．阿姆斯壮的歌迷们不能错过的一张专辑...